Electronic

if the leaves were dreaming

Installation-like multichannel composition is inspired by “The Last Dream of the Old Oak” by Hans Christian Andersen.

Surface Studies

„Surface studies“ is a series of compositions for 1-4 computer-music performers. It explores the physical touch of the electrically conductive parts of the hybridised score-instrument. The main sonic idea is based on a simple statement, that with the bare hands, one could share the body’s electrical properties to the auditory domain. The visual design of the score-instrument combines the affordances of the conductive paint with the drawn sound approach. The score-instrument is created as a visual art form in the relation to the graphic score concept.

rechtscreibung

for Acousmonium rechtschreibung - orthography. In the contemporary world the problem of disinformation and totality of people masses’ control are told to be received as a new normality. the acousmatic piece works with extended reality. Version with video and audio in 360

(your title)

for interactive audio-visual system. Based on a simple idea of using the means of musique concrete for creating the harmonic complexes, this pieces unfolds within the process of performer playing the visual layer of audio-visual instrument, and this resulting visual layer subsequently acts as a control interface for the sound complexes to emerge.

grow (demo)

Tryout of the reactive visuals and live electronics.

hommage PH

for interactive audio-visual system. Musique concrete, devoted to Pierre Henry. Bandcamp

whether or not

fixed electronics music festival in Portugal

some of those stories

Fixed media, mono

the unnamable

fixed media

Surface Studies

Planted January 1, 2020

„Surface studies“ is a series of compositions for 1-4 computer-music performers. It explores the physical touch of the electrically conductive parts of the hybridised score-instrument. The main sonic idea is based on a simple statement, that with the bare hands, one could share the body’s electrical properties to the auditory domain. The visual design of the score-instrument combines the affordances of the conductive paint with the drawn sound approach. The score-instrument is created as a visual art form in the relation to the graphic score concept. „Surface studies“ are questioning the aesthetic results of the improvisations with digital music instruments and tangible scores via the application of the traditional composer’s practice of score creation. „Surface study-1“ is a live-electronics composition for 1 or 2 computer-music performers.

performance by Sinan Samanli and Alisa Kobzar

performance by Alisa Kobzar

performance by Davide Gagliardi