Installation-like multichannel composition is inspired by “The Last Dream of the Old Oak” by Hans Christian Andersen.

„Surface studies“ is a series of compositions for 1-4 computer-music performers. It explores the physical touch of the electrically conductive parts of the hybridised score-instrument. The main sonic idea is based on a simple statement, that with the bare hands, one could share the body’s electrical properties to the auditory domain. The visual design of the score-instrument combines the affordances of the conductive paint with the drawn sound approach. The score-instrument is created as a visual art form in the relation to the graphic score concept.

for Acousmonium rechtschreibung - orthography. In the contemporary world the problem of disinformation and totality of people masses’ control are told to be received as a new normality. the acousmatic piece works with extended reality. Version with video and audio in 360

for interactive audio-visual system. Based on a simple idea of using the means of musique concrete for creating the harmonic complexes, this pieces unfolds within the process of performer playing the visual layer of audio-visual instrument, and this resulting visual layer subsequently acts as a control interface for the sound complexes to emerge.

Tryout of the reactive visuals and live electronics.

fixed electronics music festival in Portugal

Fixed media, mono

fixed media